Get your goggles on. You're on your way to the Metaverse, where no subject is off limits, everyone has an avatar, and reality is subjective. The world can be turned off or on at your very whim. Never mind the markets, resource counters, national inflations, caviar-loaded barons, environmental surprise, or who will nuke whom first. In 2D it's all peace and understanding. This is the great escape, shell, shield, your real fury against furious reality. One fist in the air is the start of a revolution. Two fists are the end of a victory. You are in between. Be smooth. Stay sharp. Walk the line.

Airy is in fact a very light-minded summer font without any serious design concept. It is a collection of hand-drawn letters that with the help of OpenType features allow you to get a lace texture with mutable structure. Together with the font you also get a bonus — a set of naive pictures that you normally draw on the margins of your sketchbook.

Firas, designed by Abbas Al-Baghdadi in 2005, is a traditional Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold with very high level of contrast. This makes it suitable for large display sizes, especially in the area of advertising. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Firm is a black sans serif display font. Perfectly attracts attention due to its shapes. With it, you can highlight important information in your text, and it is also perfect for creating a logo.This font contains alternates lowercase, ampersand and ligatures, math symbols, arrows, fractions, and multilingual support.

Firme is a very personal take on the geometric typefaces, and it’s specially suited for corporate and editorial projects, with several stylistic alternates and discretionary ligatures, for improved typographic flexibility.

Fini. Done. You've just discovered an infinitely useful font that polishes things with youthful and stylish vigor. Fini provides playfulness with double letter ligatures with a twist of friendly sophistication. Fini Things, also designed by illustrator and font designer, Amy Dietrich, is a decorative collection of 26 loopy, spotty repeating border designs and kid oriented icons (like a pea coat, owl hat, hoodie, rubber duckie etc, plus a coffee cup - for mom and dad). Fini Things coordinates with Fini font, and in fact, works very nicely with Merci, and other Atlantic Fonts.

Fairy is an exquisite handwritten script font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. Fall in love with it and bring your projects to the highest levels!

Chalker Dust is a delightful and whimsical handwritten chalk font that transports you to the nostalgic world of chalkboard art. With its authentic texture and playful irregularities, Chalker Dust captures the essence of doodling and scribbling on a chalkboard. Each letter has a handmade charm, as if it was lovingly written with a piece of chalk. The dusty and smudged appearance adds a sense of authenticity, making it the perfect choice for designs that aim to evoke a sense of nostalgia and carefree creativity. Whether used for menu boards, event posters, or children's projects, Chalker Dust brings a touch of fun and whimsy, infusing your designs with a playful and vibrant atmosphere.

Introducing a "Golden dust" font. Fully handcrafted with vintage points effect. Hundreds of dots brings a lot of fun :) I hope you'll enjoy it!

Star Dust Regular is an elegant, decorative, handwritten font. Uppercase letters with glitter and sparks are ideal for your wedding monograms and logos. Use this font for wedding invitation, branding, packaging, magazines, makeup business, social media, quotes, restaurant menu, greeting cards, flyer, banner, web header and many more. Star Dust Clean . This feminine calligraphy font style perfect for wedding design projects, instagram, watermarks, titles, birthday invitation, signatures, letterpress address, jewellery, hotel business and other. You can use it for long texts or short phrases. This font includes stunning ligatures and full set of lowercase alternates to make your text as close to a natural handwritten script as possible.

Cosmic Dust is dust that occurs in outer space or has fallen onto earth. Cosmic Dust font isn’t a dusty or celestial affair, no, it is a nice and useful font I made with a Sharpie pen. It is a little uneven, a little wobbly, but comes with a lot of character. Use it for your book covers, product packaging or posters. Cosmic Dust comes with extensive language support and a cool set of alternates.

mighty dust is a blackletter. There's come with 3 style font with much alternative inside. Suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature otf. and ttf. file woff and woff2. file Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time Hope you enjoy it.

The Pixel Dust Family is a group of six fonts sprinkled with fairy dust. A basic display font – simple, yet enchanting, made with a playful innocence – just don’t make the faeries mad.

Busted is the very strange and out-of-character outburst of Bill Troop, a guy who was classically trained in everything, from classical piano and literature to classical photography and type design. As far as we could tell, Bill Troop is the kind of guy whose appearance and voice instantly trigger thoughts of black and white photos, fedoras, and pre-industrial age Europe. A few years ago, he even moved from the United States to England, where it took him less than a week to feel at home and start sounding like a Norwich native. Then something happened and the poor dude just snapped. Busted is the controversial result of the blood rushing to his head. If you know what exactly happened to him, please let us know. Concern, consideration and human interest story aside, Busted is a fascinating thing. It is a set of four interchangeable thick outline fonts where the same letter forms turn from wild to wilder to broken to somewhat clean. Mix them up in a setting and you have words that snarl with a sneer. Life's too short. Take it all with a grain of salt. Scream whenever you feel like it. Busted Pro is a single font combining all four character sets, and rigged with an OpenType pseudo-randomizer in the contextual alternates feature, which you can disable or enable anywhere in your setting for maximum visual shock just the way you like it. Works just as well in PAL or SECAM. Don't be fooled by imitations, and don't get caught with your drawers down.

Lust’s original masters were completely redrawn, expanded, with a new optical size added based on customer requests. Lust now sports 6 fonts, instead of the original 4: Standard, Display, Fine, and complementing Italics. The character set has been expanded as well to include more OpenType features and more swashes. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Iris font was designed in the late 1930s for American Typefounders. It is an all capital sans serif typeface whose slender geometric letter forms suggest the Art Deco period without limiting its application potential. Iris font creates a look of refined elegance.

Green Fairy is a chromatic font family highly ornamented for display purposes. Green Fairy’s characters have been specifically designed to accommodate its loops and ornaments following a modern typeface structure. Green Fairy has four chromatic weights: 1. Green Fairy Outline 2. Green Fairy Dots 3. Green Fairy Stencil 4. Green Fairy Full The outline weight has been created as the base or structure for the other weights. You can combine these weights as well as add colours to obtain multiple effects and type styles. Green Fairy has also three combined weights (combos) to simplify your work flow, for these occasions when you only want to use one single colour in your font: 5. Green Fairy Dots Combo 6. Green Fairy Stencil Combo 7. Green Fairy Full Combo GREEN FAIRY ORIGINS The origin of this typeface is the lettering I designed in October 2015 as part of my illustrated cocktail artwork called “Absinthe. La Fée Verte (The Green Fairy)”. Originally, this lettering only featured eight letters “AB·SINTHE” vector drawn in Illustrator. Right after creating the full-colour artwork, I designed a fountain-letterpress print version of it, in collaboration with Ladies of Letters, A.K.A. Carla Hackett and Amy Constable from Saint Gertrude Fine Printing. At the beginning of 2016 –and thanks to the project @36daysoftype– I found the motivation, and most importantly the deadline, to draw the rest of the twenty-six letters of the uppercase alphabet using Illustrator. I started 2017 having my first two calligraphy courses sold out, so I took this amazing opportunity to devote myself to Green Fairy for a few months. In February 2017, I purchased the font software Glyphs and I started to re-draw all twenty-six letters of the uppercase alphabet again. PRODUCTION PROCESS Green Fairy started being one weight, but quickly turned into a layered/chromatic font. Things were going more or less fine till I arrived to the Dots weight: 1) I started drawing squares following a grid; 2) Then, the squares turned into diamonds following the same grid; 3) Then, the grid wasn’t working so well on the round letters so I tried randomising the position of the diamonds but it didn’t work; 4) So I went back to the grid, and this time scaled down the size of the diamonds creating a visual half-tone effect. I spent over four weeks working on the Dots weight and I felt like I was in the middle of a very long tunnel and I couldn’t see the light at the end. I encountered many other problems along the way but by June 2017, I felt I was back on track again. I kept working, tweaking, re-drawing and re-adjusting, and then the diacritics came on board… And then more re-drawing, re-tweaking, re-adjusting and then numbers… And then spacing, symbols, and currencies… And then more spacing, kerning, contextual kerning for triplets… In September 2017 I told myself “that’s it, I’m going to finish it now!” But guess what? More re-tweaking, testing, hinting, testing, rendering, testing… For those of you not familiarized with typeface design, it is extremely time consuming and it requires a lot of hard work, focus and determination. This project could not have been possible without the help of these generous professionals: Jose Manuel Urós, typeface designer based in Barcelona and my teacher twice in the past; Jamie Clarke, freelance letterer and typeface designer who has released a couple of chromatic fonts recently; Troy Leinster, Australian full-time typeface designer living and working in New York City; Noe Blanco, full-time typeface designer and hinting specialist based in Catalonia; And Nicole Phillips, typographer currently relocating from Australia to New Zealand. To all of you: THANK YOU VERY MUCH!

Introduced by Timurtype Studio! Classic Fairy is a Monoline Handwriting Font This font showcases the art of monoline handwritten fonts – a symphony of elegance and charm. Let charming threads weave a tale of elegance in your designs, where every curve whispers sophistication and timeless appeal Classic Fairy Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

Aidil Fitri is a modern script font. It has a neat shape and is beautiful to read. It is look gorgeous for making logo, branding, product packaging, signage, clothes, business card, and promotion product.

A graffiti display font with free style font that has the characteristics of street art that shows freedom and is filled with unique characters. Feature : * Symbol * Number * Punctuation * Multilingual support * Support in Mac and Windows OS * Support in design application (photoshop, illustrator, and more) * Upper Case I really hope you enjoy it.

Fairy Tail is a bold and friendly typeface designed specifically for headlines. All of the letters are chunky and rounded,which is probably the reason why they are visible from afar. The overall feel of the typeface is meant to be very casual and affable, so it is great for businesses that are fun, outgoing and sincere.

Angle & Fairy is a vintage / classic fantasy serif. It is perfect for your up coming projects. Such as luxury logo and branding, classic editorial / magazine, cosmetic and fashion promotional, historical of architectural design, logo / branding and stationery design, advertising design, wedding card invitation, art and home decor, fantasy movie or game, novel / book cover title, special events and any more.